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The Recipe for Ketoret (Incense)


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Ki Tisa: The Recipe for Ketoret (Incense)

"God said to Moses: Take fragrances such as balsam, onycha, galbanum, and pure frankincense, all of the same weight, as well as other fragrances. Make the mixture into incense, as compounded by a master perfumer, well-blended, pure and holy." (Ex. 30:34-5)

The Torah does not give the exact recipe for the ketoret (incense) that was burned daily in the Temple. Only in the Oral Tradition do we find a list of all eleven ingredients.

  • 70 maneh each of the four fragrances mentioned in the verse.
  • 16 maneh each of Myrrh, Cassia, Spikanard, and Saffron.
  • 12 maneh of Costus.
  • 9 maneh of Cinnamon.
  • 3 maneh of Cinnamon bark.

Each maneh weighed five pounds. The total weight was 368 maneh — one measure for each day, plus 3 extra for Yom Kippur, or 1,840 pounds. (A few years back, archeologists discovered near the Dead Sea what they believe are remnants of the Temple incense. The spectrum analysis revealed eleven ingredients — just like the Mishnah!)

Why doesn't the Torah explicitly mention all of the ingredients of the Temple incense?

Rav Kook explained that the ketoret was a link between the material and spiritual realms. The word ketoret comes from the root kesher, a tie or knot. The incense rose straight up, connecting our divided physical world ("alma d'peruda" in Kabbalistic terminology) to the unified divine realm.

From the sublime standpoint of overall holiness, it is impossible to distinguish between the separate, distinct fragrances. Each fragrance represents a particular quality, but at that elevated level, they are revealed only within the attribute of absolute unity. Only in our divided world do they acquire separate identities.

What is the significance of the various amounts of each fragrance?

Each of the major four fragrances explicitly mentioned in the Torah contributed seventy maneh. The number seven represents the natural universe, created in seven days. Seven corresponds to the framework of the physical universe, especially the boundaries of time with its seven-day week.

Seventy is the number seven in tens. The number ten represents both plurality and unity, so seventy conveys the idea of unifying the multitude of forces in the natural world. This is the underlying message of the ketoret. These holy fragrances illuminate and uplift the plurality of natural forces.

After the first level of four fragrances sanctified the dimension of time, the second tier of four fragrances sanctified the dimension of space. The number six corresponds to space, as any location is made up of six vectors (the four directions, up and down).

Time is a less physical aspect, and more receptive to spiritual elevation. Thus, for the first four fragrances representing the dimension of time, the number seven was multiplied by ten. Space, on the other hand, is only influenced by its closeness to holiness. Therefore, the unifying quality of ten is only added to the six, so that 16 maneh were used of each of these fragrances.

The final amounts of twelve, nine, and three represent the limitations of the divided spatial/physical realm. Three is the first number to demonstrate multitude, and nine is the last number, before the multitude is once again combined into a unit of ten.

(adapted from Olat Re'iyah vol. I pp. 136-138)

Copyright © 2006 by Chanan Morrison